With a commitment to quality content for the design community. Droid Sans was optimized for user interfaces and to be comfortable for reading on a mobile handset in menus, web browser and other screen text. Alegreya was designed with printed text in mind, but it is excellent to read on screen as well. However, with the recent update, which made the font heavier (apparently across its weight range), it has altered the layout of some of the more complexly arranged poems. Interestingly, the web font used on the official Fira Sans page is Open Sans, not Fira Sans. The font shares many similarities to FF Meta, which makes sense as Erik Spiekermann is the designer of both. To set body copy properly, a font family requires four variants: normal, italic, bold and bold italic. Minion Pro is inspired by classical, old style typefaces of the late Renaissance, a period of elegant, beautiful, and highly readable type designs. Both Pluto Sans and Pluto have the same range of weights and styles and can perfectly be used together. Karla is a grotesque sans-serif designed by Jonathan Pinhorn that is full of character and quirks. Merriweather is under active development, and improvements are constantly being made. Merriweather is traditional in feeling despite a … There are now Italic styles in each of these weights, too. On AIGA’s “100 Years of Design” website, a customized “dotless i” version of Lato is used. Vitor Andrade’s website uses Open Sans in a very understated way; the minimal, type-driven design doesn’t draw attention to itself, appearing very neutral and lending focus to the excellent work being featured on the website. A font used on the Web that doesn’t include these four basic variants will inevitably get the dreaded faux bold and faux italic treatment generated by the browser, which should be avoided at all costs — in fact, there are ways to avoid them for good. Its tall x-height and hefty serifs give it excellent legibility. Philipp Herrmann The following fonts all have multiple weights with matching italics. There is also Merriweather Sans, a sans-serif version which closely harmonizes with the weights and styles of this serif family. Merriweather has a very geometric feel and is very readable at small sizes. In doubt please refer to the readme file in the font package or contact the designer directly from plus.google.com. It is available for free on Google Fonts, but, sadly, most designers don’t seem to know about it. Novelty and “retro” fonts. Its designer, Paul D. Hunt, was inspired by early-20th-century gothics such as Franklin Gothic and News Gothic. This is a perfect font to add a touch of personality to your design. The Merriweather font is great–highly readable and beautiful. Monospaced fonts seem to be popular with designers at the moment, and Anonymous Pro is an excellent option. The font contains characters from the following unicode character ranges: Basic Latin (93), Latin-1 Supplement (95), Latin Extended-A (36), Latin Extended-B (2), Spacing Modifier Letters (8), Greek and Coptic (4), General Punctuation (27), Currency Symbols (1), Letterlike Symbols (2), Mathematical Operators (12), Geometric Shapes (1), Alphabetic Presentation Forms (5). I understand where the criticisms come from, but I quite like Roboto. 6. It’s rare to find a free font created by such a renowned typeface designer. Other weights, such as light and extra bold, are helpful for creating typographic contrast between elements. Updates and improvements have been made to Roboto since that “Frankenfont” article, and I think the font works great on screen at different sizes and device resolutions, which is its purpose. Its intended use is for user interfaces so it renders very well at small sizes. So if you decide to use a free font, please always make sure to support type designers by purchasing the other fonts that they created or donating to support their efforts. 7. Type foundries need the support of the design community to continue innovating and producing excellent fonts. Truly Reusable Design Systems in Practice. The designer, Łukasz Dziedzic, originally designed Lato as a corporate font for a large client. I popped the CD in my computer and found a collection of the most horrendous fonts you could imagine. Frank Chimero makes elegant use of the hairline weight in his article “What Screens Want,” setting it in uppercase at a large size, which is needed for such a thin, delicate weight. There is also a sans-serif version of Merriweather available that makes an excellent companion. Budget for professional fonts in every project when possible. … Founded by Vitaly Friedman and Sven Lennartz. ✔ Thank you. For example, the uppercase “I” has serifs added to distinguish itself from the lowercase “l”. Lato feels very modest and unassuming when set at small sizes in body copy, but the italic variant is distinctive and easily recognizable. The font is also available as a webfont at Google Fonts. The bold weight of Anonymous Pro is used for the buttons on Per’s website. Jeremiah Anonymous Pro is a monospaced font that I’m surprised so few designers know about, considering it was designed by Mark Simonson, the type designer behind Proxima Nova. Merriweather. FF Tisa designed by Mitja Miklav quickly became a new-millennium favorite of graphic designers, in print as well as on the web. Bookerly is a serif typeface designed exclusive for reading on Amazon’s Kindle devices. This is one of our favorite serif fonts. Per Sandström uses Anonymous Pro at a large size for the body copy on his website, where it works surprisingly well paired with Futura for headings. It is created to establish a graphic identity to Google Play and replace Droid Serif as the default font in its digital books in May 2015 1 . Download free font Merriweather Sans by Eben Sorkin from category Sans Serif Lato is used in WordPress’ latest default theme, Twenty Fourteen, so its popularity on the Web is sure to increase. The bold weight of Playfair Display is used on the headings of Digital Abstracts’ website. Lato is Polish for “summer,” and the name perfectly fits this warm-feeling sans-serif. Since its release in 2010, Open Sans quickly became the preferred typeface by many designers, as it was a fantastic substitute for (sometimes loathed) Helvetica. Paone Creative uses the light weight of Roboto on their blog section. The designer, Juan Pablo del Peral, claims that just as much care and attention to detail was spent on designing the italic as the roman and it definitely shows — the italic style is especially beautiful. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. …. To be frank, free fonts don’t have a good reputation, and often they are knock-offs of thoroughly crafted, already established typefaces. Alegreya is an award-winning serif typeface, chosen by ATypI as one of 53 “Fonts of the Decade” in its Letter.2 competition. Borsch, Vodka & Tears use Karla for the short bursts of body copy on its website, and it works really well. The font is licensed under SIL Open Font License. The font feels familiar, yet still possesses unique character the more you look at it. Using Merriweather as the dominant font, a clean, light sans will echo the rounds, and not compete with the serifs. You can also follow me @typewolf and check out my other side project, Type & Grids, which uses many of the fonts featured in this article. My manager promptly dismissed the idea of paying for a font and instead handed me a CD that had “5,000 free fonts” on it, saying “This CD has every font a designer could possibly need. I was using it at its lightest weight. Fonts with letterforms made up of cats posing in crazy positions. In the past, free fonts typically came from one of two places: amateur designers who created fonts for fun or as a learning experience, and professional type designers who released a single variant of a font family for free as a form of marketing, the idea being that people would come back to purchase the full family once they realized the limited usefulness of a font without multiple weights and italics. Although designed primarily for titles and headings, the three weights with matching italics make it suitable for short stretches of body copy as well. Pluto Sans — the straight companion of the Pluto Family — was designed by Hannes von Döhren in 2012.

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