also be protecting one’s self from experiencing life more fully, deeply, and joyfully. Follow AzQuotes on Facebook, Twitter and Google+. By protecting one’s self from the terrible truths of human existence, one may also be protecting one’s self from experiencing life more fully, deeply, and joyfully. Academy of Ideas participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. Life is a challenge - meet it. But what is interesting is the degree to which tragic insight into the nature of life is needed in order to stimulate states of Rausch. Sublimation differs in kind from the other three remedies in that it “is a matter of transformation rather than repression.”  Via sublimation, the individual harnesses the large amounts of energy associated with being overcome by the “pain of living”, and utilizes such energy to fashion creative works of beauty. Painting is easy when you don't know how, but very difficult when you do. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined. By deciding slowly; and by holding firmly to the decision once it is made. Together, we are an ocean. Each time, I had wept too much on my previous day’s walk, not sentimental tears but tears of joy; I sang and talked nonsense, filled with a glimpse of things which put me in advance of all other men.” (. Man believes that the world itself is filled with beauty -he forgets that it is he who has created it. They discuss the fact that Nietzsche's work has been useful in the development of some feminist theory but ultimately conclude "While Nietzsche challenges traditional hierarchies between mind and body, reason and irrationality, nature and culture, truth and fiction - hierarchies that have been used to degrade and exclude women - his remarks about women and his use of feminine and maternal metaphors throughout his writings confound attempts simply to proclaim Nietzsche a champion of feminism or women. “Insight: all evaluation is made from a definite perspective: that of the preservation of the individual, a community, a race, a state, a church, a faith, a culture.--- Because we forget that valuation is always from a perspective, a single individual contains within him a vast confusion of contradictory valuations and consequently of contradictory drives. If one looks deeply into life, is one also fated to suffer deeply? And this kind of virtue has not been outlived even today. “To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill … For one to create any work of beauty, or truly appreciate beauty in art or nature, one must first enter into a state of Rausch: “For there to be art, for there to be any aesthetic doing and seeing, one physiological precondition is indispensable: Rausch. Positive impulses engage the evil and put it to their own ends, fastening onto its pictorial, dramatic, heroic, lyric or even comic aspects.” (Zapffe). - Friedrich Nietzsche quotes from BrainyQuote.com "Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Subscribe to our Newsletter. Truth is like the sun. Nietzsche considered art as such a highly effective antidote to tragic insight and the “spasms and agitations of the will” because it induces what he called “Rausch”, a German word translated as rush or intoxication. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined. For instance, in the following passage: "What inspires respect for woman, and often enough even fear, is her nature, which is more “natural” than man’s, the genuine, cunning suppleness of a beast of prey, the tiger’s claw under the glove, the naiveté of her egoism, her uneducability and inner wildness, the incomprehensibility, scope, and movement of her desires and virtues." United States: Simon & Schuster, Inc., p. 86 , Kelly Oliver, Marilyn Pearsall, "Introduction: Why Feminists Read Nietzsche", in Feminist Interpretations of Friedrich Nietzsche, Penn State Press, 1998, pp 1-4, Biddy Martin, Women and Modernity: The (Life)Styles of Lou Andreas-Salomé, Ithaca, Cornell University Press, 1991, p98, Frances Nesbitt Oppel, Nietzsche on Gender, University of Virginia Press, 2005, p1, Cornelia Klinger, Herta Nagl-Docekal, Continental Philosophy in Feminist Perspective, Penn State Press, 2002, p224, Leonard Lawlor and Zeynep Direk, Derrida, Routledge, 2002, p139, Learn how and when to remove this template message, Philosophy in the Tragic Age of the Greeks, https://en.wikipedia.org/w/index.php?title=Friedrich_Nietzsche%27s_views_on_women&oldid=939250902, Wikipedia articles needing reorganization from September 2017, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from November 2018, Articles with specifically marked weasel-worded phrases from August 2015, Wikipedia articles needing clarification from April 2018, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 February 2020, at 08:10. Art Words Picture Without. Such anchorings provide a sense of safety, familiarity, and meaning, protecting one from moods of existential disorientation and feelings of cosmic insignificance. In it, he unabashedly laments the tragedy of conformity and extols the supreme beauty of individuality. This world: a monster of energy, without beginning, without end; a firm, iron magnitude of force that does not grow bigger or smaller, that does not expend itself but only transforms itself; as a whole, of unalterable size, a household without expenses or losses, but likewise without increase or income; enclosed by “nothingness” as by a boundary; not something blurry or wasted, not something endlessly extended, but set in a definite space as a definite force, and not a space that might be “empty” here or there, but rather as force throughout, as a play of forces and waves of forces, at the same time one and many, increasing here and at the same time decreasing there; a sea of forces flowing and rushing together, eternally changing, eternally flooding back, with tremendous years of recurrence, with an ebb and a flood of its forms; out of the simplest forms striving toward the most complex, out of the stillest, most rigid, coldest forms striving toward the hottest, most turbulent, most self-contradictory, and then again returning home to the simple out of this abundance, out of the play of contradictions back to the joy of concord, still affirming itself in this uniformity of its courses and its years, blessing itself as that which must return eternally, as a becoming that knows no satiety, no disgust, no weariness: this, my Dionysian world of the eternally self- creating, the eternally self-destroying, this mystery world of the twofold voluptuous delight, my “beyond good and evil,” without goal, unless the joy of the circle is itself a goal; without will, unless a ring feels good will toward itself— do you want a name for this world?

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