“So many try and fail,” DeMeo says. I did a 3month "internship" with a renowned luthier and still had to pay for school. He’s a lifelong carpenter who’d just as well live in the woods. She also scours the internet for faces of luthiers at workshops and conferences who look like her, a black woman. A look at the patient work of luthier Ray DeMeo and his student Amanda N. Ewing, Master and apprentice: Ray DeMeo and Amanda N. EwingPhoto: John Partipilo. I wanna take the opportunity but thought I should at least consider school forest and hear the opinions of others. Ewing is apprenticing in a trade that is traditionally male-dominated. Follow DeMeo and Ewing on Instagram (@lovinglydemeoviolins). DeMeo started making instruments at age 15. “It’s definitely increased quite a bit in last 10 years,” she says. Connections to established Luthiers with whom to apprentice. “It was like somebody was about to have surgery but on instruments,” says Ewing. I definitely think more than YouTube is necessary for a career but I need to take baby steps at start, Press J to jump to the feed. DeMeo says it’s essential to have a human on the other side of the bench from you, not just a YouTube tutorial or a book. But it’s easier to go to school — if you can afford it. Maybe I'll end up on a different path or maybe you're advice will help me find a better approach for being assertive with this guy. She enrolled her daughter in piano and herself in violin. Using wood is high quality spruce and maple from Balkan region, with perfect tonal quality, naturally dry for more than 10 years. It’s the path she took, like DeMeo and like Ewing. “I thought, ‘I wonder if I can afford to have my own violin made,’ ” she says. Creating this thing out of wood, and off it goes. Rather, he’ll give you the big-picture explanation, which also might include a sidebar into the migration patterns of sand cranes in Alaska and the way a moose chews on a stalk of fireweed. “Maybe baby elephants.”. There may not be music programs. He, father Paolo, brother Dario and sister Sofia all produce their own individual instruments from start to finish: each violin, viola, cello and double bass is a true solo project. “Well, they just stop. Engineers, doctors — a lot of people. Halenar says only about three schools geared toward making the instruments exist in North America (in addition to shorter-term workshops), and those cost about $80,000. He was perhaps the earliest apprentice of Nicolò Amati, another important luthier in Cremona Italy, although other sources call this association into question as there is no census record showing his presence in the Amati household. “It’s very much my religion,” DeMeo says. Plus, there aren't any schools of this sort for easily at least 500 miles of where I live (maybe schooling could come after). “I never thought I could learn it, but I knew I would try.” So he read books at the public library and showed up with pockets full of quarters to make copies. She’s also created a Facebook page called Luthiers of Color. A gold-level, Fender master Luthier has informed me how I might earn an apprenticeship through him (and how I can do so without wasting either of our time). Known with the master technology of Cremona violin building, with the last innovation about varnish (like methods of D.Rubio and W. Fulton), as well as the last electronic methods of acoustic adjustment, like Chladni patterns et al. Ewing attended Stratford High School, and she recalls a piano and band instruments as part of the school’s music program, but she doesn’t recall stringed instruments. “I actually don’t want them to be monsters,” she says. Ewing and Demeo mix a special varnish that keeps violins from cracking. It’s how he taught himself to make a lute that got him disqualified from a contest in high school — he says the judges didn’t believe he made it. Maker and restorer of fine violin family instruments, Mr. Starchev is one of the famous Bulgarian violin makers. Prior to setting up my own … She taught DeMeo enough to send him on to further training with masters — one Polish and another a Cambodian refugee. If anything, see if he'll let you WORK for him and get PAID per piece and teach you along the way. He waxes poetic about the various shapes of harmonic clouds that can float from the body of a finished instrument. When he’s not tinkering with tiny violin parts, he’s likely to be wielding a chainsaw and building a post-and-beam house. The objective is to help customers to find the luthier they want to work with; from simple repairs and setups right through to restorations and custom made instruments. She’s a former gymnast who fell under the spell of violin while training in ballet classes. “I think I remember him saying, ‘Are you for-real interested in this?’ ”. Ex member of the Regional Luthier Association in Kazanlak, and certified for Luthier Master from this Association, participator in tree national presentations. Ewing, 38, met DeMeo, 61, in a group of violin players. After graduating in 1996 with a rarely given distinction, Yann has worked in a number of workshops across the world. Understand that what you know in the business is far less important than who you know. She searches for stories too, like the legend of a former slave who had to carve his master’s name in the violins he built to get them sold. He describes trees as alive but silent, and says making them into violins gives them voice. As Ewing will tell you, DeMeo doesn’t really answer questions in a small way. For DeMeo’s part, he’s not the picture of a refined luthier one might imagine training among European masters. She remembers meeting about five women out of 50 violin makers there. “The best way for me to honor a tree — and the tree’s maker — is through a violin. Ewing first learned to play violin about seven years ago at the Allegro School of Music upstairs in Inglewood Baptist Church in East Nashville. But it ain’t gonna be. The next time she went, there were seven or eight. DeMeo visited music stores as a kid, bringing with him rulers, pencils and erasers to trace patterns. His atelier is located in Kazanluk, independently work since 1996, while in this period had finished and sold more than 100 instruments. Press question mark to learn the rest of the keyboard shortcuts. There may not be great instruments or instruments that are well-taken-care-of. He’s a hunter, fisherman and veteran, an Italian-American who grew up in the city and fled to the woods of Alaska for many years. Juliet, Ewing watches TV with her kids. After the patterns, cutting and chiseling comes a critical point in the process — bending the curved ribs on the middle part of the instrument. “When I first started coming here, I would leave with headaches.”. “It’s a lot of information,” Ewing says. But she’s never known a luthier of color. Amanda N. Ewing and her violin-making mentor, Ray DeMeo, check out her progress on her first violin at his workshop in Nunnelly, Tenn. At her home in Mt. If anything, see if he'll let you WORK for him and get PAID per piece and teach you along the way. So far it has three members — and she’s one of them. Working as an apprentice allows someone to earn money while gaining valuable experience in the field. from left: Drake Rhodes, 7, Donnie Rhodes III, 10, and L’liana Ewing Rhodes, 18.Photo: John Partipilo. His father worked as a machinist and allowed him to use equipment in the basement. Ewing protests this statement, but not because she doesn’t think the instruments will be great. And that’s part of why Ewing and DeMeo want to make instruments and their craft more accessible.

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