Over the last decade there's been a huge shift in price/performance, with quite a few respectable digital consoles costing between $2,000 and $4,000 street price, a small fraction of the cost of a complete sound system. Or consider using a new low profile headworn microphone. You can’t reproduce good quality audio if you aren’t capturing it well in the first place. Author: Lee Menningen But seeing as recorded output is almost invariably stored on digital media these days, and many churches wish to distribute CD's, internet streaming, or other forms of digital media, on a practical level the argument is essentially moot. Create a username and password below and an account will be created and your post entered. Age probably has nothing to do with it, it's likely more about change and being willing to learn and try something new. Given the desire to stay as simple and user friendly as possible, how is something that is iPac dependent simple? Good question Mike. This can be the same for Aux sends, but some models provide a dedicated row of Aux sends that become active for a given channel when that channel is selected. Flying faders, recallable presets, digital effects libraries, assignable group outputs, etc. He will still need regular access to the console in the room, as that is where all of the primary mixing and adjustments will happen. They can, however, be used for room reconfigurations or scene recalls in-between services. Although a few analog consoles, generally very large ones, have scene presets, most do not. You can’t reproduce good quality audio if you aren’t capturing it well in the first place. Each channel has a fader, EQ controls, mic gain trim, assorted switches that vary in purpose from one design to another, and a number of Aux Sends. Whatever the context, whether in a church or club, where there is a live performance of music, you need to have the best sound mixer within your budget. Author: Richard Ken DeLoria was the founder and former owner of Apogee Sound Incorporated. Yet I only have 10 channels of compressions, and 2 effects channels. Digital consoles, on the other hand, often provide simpler solutions depending on the brand and model. It goes way beyond "tweaking".And now for the story of the day - no, it won't overheat. For a live mixer, on the other hand, you might be a little less concerned with fidelity, but might be looking for portability, simplicity of use, and reliability. It is probably the best option on the bottom end, and has the best integrated software package at any price for the church. The converters are where most of the latency occurs, as well as most forms of imprecision (dither and jitter) in the signal quality. As far as lasting a while, you need to rethink that as well. DAW integration was my suggestion simply because I'm a musician and I know we'd run directs out into the computer when we bring our laptops. Analog consoles on the other hand, are comparatively simple to learn. When it comes to loudspeaker selection and placement, you may consider calling on a qualified audio contractor or consultant. Digital consoles are amazing, but some of them require a significant amount of training in order for the user to benefit from the console’s features and utility. For more information and reproduction guidelines please contact us at 919-325-0120 or info@churchproduction.com. "Great Church Sound - a Guide for the Volunteer. As far as dealing with work flow compared to more fully-featured digital board, this is the least complicated by far, approaching analog more closely than any other "digital" desk out there. I see more damage done with digital consoles in the hands of those who don't know than with analog. A quick start guide to build and grow your church’s online strategy. James Wasem is the author of "Great Church Sound - a Guide for the Volunteer." There are some solid consoles out there that can help you deliver great sound. The Point Source Audio products (Series-8 specifically) is often more durable and flexible than the Countryman (E6 model comparison), and it is waterproof – all at a 15-25% discount depending on who you buy it from. We've looked at the main differentiators between analog and digital console formats. The user merely enables power, and viola, all the mic's and wireless's are now operational! Digital makes the mixer surface obsolete; the factory no longer needs to provide one. Smaller digital consoles, however, are not always so equipped. I would second the analogue mixer suggestion. Get an Allen & Heath Mixwizard with individual channel direct outs, a decent multi channel USB interface (or Firewire if your computer has it) and you will be good to go. And like digital consoles, well-designed line arrays have some great features and benefits. That said, a well-designed digital console will do little to distort or degrade the signal but nonetheless, various forms of subtle signal alteration will invariably take place. These guys are OLD. Not a 2 track because something maybe too loud or not loud enough etc. With it, the operator can capture all inputs and outputs on separate tracks, then rapidly switch over to digital playback for mixdown to CD (or other format), and/or also run a V-soundcheck.' If a StudioLive is "too much" and you only have six inputs, (and I'm guessing you don't have a very skilled pool of engineers), you probably shouldn't be looking at digital mixers. Let’s face it. “Church tech on a budget.” Is that an oxymoron? But to provide an answer to the debate, the very best sounding analog consoles have the simplest signal path and therefore the fewest features and controls. For some facilities, it’s the only way to go. Check also the A&H zed series.. Digital consoles are cool. Good post Ken. I will add to the long list of support to stay analog with what you need. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Just something that'll get the job done and last awhile. Otherwise, the controls operate exactly like an analog board with a single channel strip. If you’re in the market for a new mixing console, consider this one question: Who is going to run the console on a regular basis? Instead, it uses a fixed number of knobs, faders, and buttons to access one channel at a time. Recording via capture software was as easy and painless as anything I've used. Adding compression to every channel would not be cheap. The take-away is that digital is not the same as analog in which changes can be made to multiple channels simultaneously, a very useful aspect when two or more operators are working together. Consoles that do not have motorized faders and shaft encoders cannot be used for instant scene changes. If the operator is a part time volunteer, she will need to devote quite a few hours, perhaps several days of time, to learn her way around the console. Instead, they are usually ringed with LED indicators that instantly display the new settings. Instead of buying, maybe it makes sense to rent for a one-time event. It so your audio engineer can leave the FoH booth and check the sound in other parts of the room, allowing him to make adjustments without having to walk all the way back and tweak a knob then go over again and see if the tweak worked. In short, changing from one scene to another is nearly instantaneous and quite painless. When you buy products through links across our site, we may earn an affiliate commission. Also, digital consoles invariably exhibit a few milliseconds of latency, but normally that's not likely to cause any real problems. In such cases scene presets are a true blessing. And a follow-up question: Who is going to be the point person for training other sound team members how to operate the sound system? If multi-track recording is an important component of your church's worship experience, then purchasing a digital console with accompanying DAW software will be a logical and cost-effective choice. Though the initial cost of the digital is typically higher than analog, when you factor in all the outboard equipment you would need with the analog, you might end up spending less on the digital. Rather, it's important to select the right type of console that will get the job done efficiently, with the least potentiality for operator error. There is plenty of debate over which sounds better, analog or digital. When a preset has been recalled the operator may need to manually move the faders to the new position using a set of indicators that will ‘null' when the fader is in the proper position. Some digital consoles require the operator to switch among ‘layers' that re-purpose the faders, to make level adjustments from one channel to another. Here you will find our guide to the 8 best digital mixers on the market for your home studio or live performances. Yes Mixwiz has direct outs.. The digital mixer can be a 1U device having no controls, which could be mounted in a rack. Point Source Audio makes a slender earworn mic that looks and sounds great (~$325). Different jobs call for different desks.

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