I want to come back to Jeff's first question to you, which was about the significance of being here. Anthony: I mean, it certainly felt like a religious experience on stage with him without a doubt. I wonder if in working with them now if any vision has occurred to you? Learn More In the Know with GFO Young Artists Program LEARN MORE Children's Outreach Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. On today's show, join us as we remember the late great Paul Burgett, as well as a concert highlight from the Gateways Music Festival. George Walker composed it in 2003. The historic concert was broadcast live on WXXI in Rochester and on the New York City classical station WQXR. Jeff: The Gateways Music Festival Orchestra from Carnegie Hall Live. 3 PM Stern Auditorium / Perelman Stage Read More Thursday. The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . I wrote this poem in the summer of 2020. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. Jon: First, I would love to thank everyone who made it possible for us to be here, the ancestors who are watching over us. As soon as we hear that cord progression, our congregation stands, and we sing. 3. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the . And serves on the board of directors in this orchestra. The film screening and lecture are both free and open to the public, but tickets are required. Orchestra, Simfnica de Barcelona i Nacional de Catalunya, Jacaranda - Music at the Edge, Hear Now Music Festival, Pittsburgh Microtonal Festival, Hollywood Chamber Orchestra, BrightworkNewMusic, and the World Opera Forum in Madrid, Spain. Thank you!!! My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. Gateways is receiving an $800,000 award from the. John: A terrific program today bookended by two sets of variations. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Founded in 1993, the orchestra brings together classical musicians of African descent from professional orchestras around the nation to share in music making and performance and to promote its philosophy that classical music belongs to all people, and that people of African descent have played an important role in classical music for centuries.. Orchestra, Gateways Music Festival and Bellingham Festival of Music. 56a; George Walkers Sinfonia No. To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. He is a resident member of the Jacksonville-based Ritz Chamber Players, The Harlem Chamber Players, Gateways Music Festival Orchestra, and innovative chamber music theater group the Core Ensemble. Jeff: Now, all the orchestra on its feet and with Maestro Parnther bow to this Carnegie audience this afternoon. John Schaefer: It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. Thank you, gentlemen. Since then, musicians have been eagerly performing this real treasure trove of music. She is deeply grateful for the many . It's our greatest cultural export as a nation. That's an unfair question. 2023 New York Public Radio I asked him what was it like to be at Carnegie Hall. If you're a fan of Barber's Adagio for strings, I urge you to check out George Walker's Lyric for strings. Anthony Parnther | Photo by Konstantin Golovchinsky. The authoritative record of New York Public Radios programming is the audio record. This was a real challenge, but a little bit of everything. We are going to hear the world premiere of I Can. Visit our website terms of use at www.wnyc.org for further information. What does it mean to have you and your colleagues in this place at this time? It's available to this art form too if it wants to. Her goal was "to open the gates to classical music for musicians and audiences alike so that as many people as possible could play, see and hear the music". Recent guest. He also told us they want to be a resource for the larger community. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. There is an improvisatory element to it. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. We are going to hear the world premiere of. That's a narrative that can be true, but it doesn't just happen. Jeff: Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. It's our greatest cultural export as a nation. Before I'd conceived this piece, I had this poem, and it just kept resurfacing in my subconscious. This music we call classical likes to drape itself in narratives of universality and likes to position itself as being aracial and reflecting some universal culture. Anthony has conducted artists spanning every musical genre including Joshua Bell, Jessye Norman, Yundi Li, Lynn Harrell, Frederica von Stade, Roderick Williams, Canadian Brass, Jennifer Holliday, Kanye West, Imagine Dragons, Omar Apollo, and Alan Walker. Now, all the orchestra on its feet and with Maestro Parnther bow to this Carnegie audience this afternoon. A A. Here are your tickets. Female Speaker 2: Your tickets, please. gateways music festival is changing the classical Music narrative "When Gateways musicians walk out on stage, a new line of inquiry - a new conversation - is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. There was this outpouring of interest from all over the country. It is his heart. The panel discussion is free and open to the public, but tickets are required. The Gateways Music Festival, in association with Eastman School of Music, runs from Tuesday, August 6 through Sunday, August 11. John: In 2009, some people were renovating an abandoned house outside of Chicago, lo and behold, they discovered all of these manuscripts and it turned out that it was not all, but most of Florence Price's compositions. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestras Carnegie Hall debut! When 7:30 p.m. March 3, 2 p.m. March 5 Where Kirkwood Performing Arts Center, 210 East Monroe Avenue, Kirkwood How much $20-$65 More info 314-865-0038; winteroperastl.org. It was 110 years ago. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. That was cemented well before I became involved. Adults: $15 | Seniors and Students: $10 | Children/Youth (Under 18): Free, STERN AUDITORIUM / PERELMAN STAGEAT CARNEGIE HALL57th Street and 7th AvenueNew York, NY, THE GATEWAYS ORCHESTRAAnthony Parnther, conductorJon Batiste, piano. Jeff: A great big deep bow and a warm welcome to this Carnegie Hall audience. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. Anthony: I'm from the South, and I'm from the Baptist Church tradition, and Lift every voice and sing is sacred to my community. We principally had one and a half days to piece this work together. He also told us they want to be a resource for the larger community. . Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. New York Public Radio transcripts are created on a rush deadline, often by contractors. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. I asked him what was it like to be at Carnegie Hall. This is the intermission of this concert, the Gateways Music Festival Orchestra. We purposely did not do it in Rochester because we wanted this to be the world premiere. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. From August 6 through 11, 2019, 125 professional classical musicians of African descent are invited to Rochester, NY from across the . LEARN MORE Become a GFO Volunteer Help us serve the St. Louis community LEARN MORE Our Story It began on a barge in the Mississippi. It's an incredibly exciting week for all of us. Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of ". He . Applause is for Anthony Parnther now taking center stage here at Carnegie Hall, and beginning this concert by the Gateways Music Festival Orchestra with this work by Brahms, his variations on a Theme by Haydn. Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com He was known for his warm spirit and as a visionary behind the Gateways Music Festival, an event celebrating classical musicians of African descent. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and. -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. 3, which has a little more of a modernist aspect to it, at least at the beginning, although the texture clears out a little bit as the piece goes along. HATCH RECITAL HALLEastman School of Music433 East Main StreetRochester, New York. , the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. From Carnegie Hall Live, the Symphony No. Jeff: Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. There's a great degree to which American orchestras and American so-called classic music generally has really kept its most powerful legacy at arm's length, which is the music of Black people and Black Americans. Over the course of each six-day festival, the musicians give a full orchestral . Jeff: Conductor Anthony Parnther goes on stage, to conduct the final work on this program, the Fantasia on Lift Every Voice and Sing by James V. Cockerham in this initial performance of the Gateways Music Festival Orchestra at Carnegie Hall, a performance you'll hear from Carnegie Hall Live. conducting engagements include the Los Angeles Philharmonic, Philadelphia Orchestra, Atlanta Symphony, Chineke! Does that resonate with you? Jeff: Now, you, as a very busy conductor on sound stages in Hollywood, are accustomed to looking at a score and getting the musicians all organized and playing it. This performance is free and open to the public, but tickets are required. "Oh, well this is classical music. Gateways musicians are rewriting that narrative." That's available to everyone. The Brahms to begin, and then the Variations on "Lift Every Voice and Sing" to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. We know that it is, and that's what we're doing. The project sought to, " . We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. 230 were here. Development of the Orchestra, Music Appreciation, Bio-Musicology and Music Theory. The Gateways Music Festival is opening up a vital future for classical music, and we are honored to be part of it." To learn more about Gateways Radio or locate stations that broadcast the series, go to GatewaysRadio.org. . Enjoy the show. There is an improvisatory element to it. Aug 3 2019. It's our national anthem. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. Only one ticket is required for both the film screening and the lecture. Anthony has restored and performed orchestral works by Florence Price, Zenobia Powell Perry, Margaret Bonds, William Grant Still, Duke Ellington, and Samuel Coleridge Taylor. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. Attendees must show proof of vaccination and wear a mask indoors. Not surprisingly, he will be the piano soloist in that piece. Instead of a minuet or scherzo with trio you got a Juba. All right. Because of limited seating capacity in the Bruno Walter Auditorium, we urge you to get your tickets as soon as possible. Guest engagements include Chicago Sinfonietta, the Chamber Orchestra of New York, the Colour of Music Festival Chamber Orchestra, Richmond Symphony, and the Gateways Music Festival. by Petrus A. April 15 2022. in Divertissement, musik. Jon Batiste is pointing to Maestro Parnther and to the Gateways Music Festival Orchestra. Jeff: Backstage at Carnegie Hall, I'm Jeff Spurgeon. They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. 3 Batiste: I Can (world premiere) Florence Price: Symphony No. I just thought that it was so beautifully executed. American conductor, Anthony Parnther, is the Music Director and Conductor of the San Bernardino Symphony Orchestra and the Southeast Symphony & Chorus in Los Angeles. It would come up. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert. It's intermission at the Carnegie Hall debut concert of the Gateways Music Festival Orchestra. A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Well, I think as artists in this music that's called classical, we have always felt that Carnegie is a place for us, but what we think is important is we know that there are audience members that, until we grace this stage, did not know that Carnegie was a place for them. Alex: Yes. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestra's Carnegie Hall debut! Exhausting, but exciting. Take care. Gateways Orchestra concert, 4:00 p.m. at Kodak Hall at Eastman Theatre on Sunday, August 11, $15 for adults, $10 for students and senior citizens with ID, and free for youth under 18. For his work with Chicago Sinfonietta leading the premiere of Joel Thompson's "breathe/burn: an elegy" for cello and orchestra, the Chicago Tribune praised "Clark . I'm sure she wouldn't mind me telling her age. It's wonderful to have you here. She's a person that no one really says no to. Not heard in this place until just now by the Gateways Music Festival Orchestra. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. Celebrating classical musicians of African descent. His answer was, "I felt that Carnegie Hall, that places like that were not meant for people who looked like me and it was important to make that step and to be seen on that stage. Press Room. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and The Variations on a Theme by Haydn as the work's known the music of Johannes Brahms. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. The Gateways Music Festival Orchestra makes history as the first all-Black orchestra to feature at Carnegie Hall in the venue's 130-year-history, Harlem World Magazine reports. Celebrating over two decades of music making, the Grammy-nominated Imani Winds has led a revolution and evolution of the wind quintet that inspires audiences of all ages and backgrounds. 3 by George Walkerthe first African-American Pulitzer Prize for Music Laureate and whose centennial falls in 2022. Then we'll proceed into the piece, I Can. Oh, it was a wonderful variety of sounds as you say, and a really wonderful performance. Gateways Music Festival Orchestra 2023 tour dates. 3. Alex, thank you for stopping by. The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. Paul Burgett was a leader in classical music. Congratulations. Exhausting, but exciting. Carnegie Hall Live is a co-production of WQXR and Carnegie Hall. a series of exciting broadcast concerts drawing upon some of the finest live performances from Carnegie Halls stages over the past eleven years. Since then, musicians have been eagerly performing this real treasure trove of music. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" Sure. General Admission. We are about to hear this performance of the, , music by Johannes Brahms based on a theme that probably wasn't actually written by Haydn. "The first time I played in an all-Black orchestra was at . Alex Laing, the principal clarinet of the Gateways Music Festival Orchestra, also serves on their board of directors. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. For details on event times, prices,and locations, call 232-6106 or visit gatewaysmusicfestival.org. John: In fact, the third movement is called Juba, which is a type of body percussion and dance that was widely found in musical traditions of enslaved Afro-Caribbean people. She climbed Mount Kilimanjaro five years ago. We purposely did not do it in Rochester because we wanted this to be the world premiere. The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. Anthony: -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. Tags: diversity, Eastman School of Music, Gateways Music Festival, performing arts, The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall.It's an ensemble made up entirely of classical musicians of African descent, from orchestras around the country. General Admission. John: I want to come back to Jeff's first question to you, which was about the significance of being here. degrees in piano performance from Juilliard. Announced by Gateways Music Festival in association with the Eastman School of Music, the news is very welcome to the 28-year-old organization, which works to connect and support . GATEWAYS MUSIC FESTIVAL, INC.26 Gibbs Street, Box 58Rochester, NY 14604, info@gatewaysmusicfestival.org(585) 274-1170. I'll share it with you now. It can also serve as a beard or it can veil other, I think, less inclusive narratives. We are going to hear the world premiere ) Florence Price: Symphony no a beard or it veil. In 2022 them at least are leaving the stage many face in their working lives Music runs... 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