Left circle: a matching frame shot with an 85C warming filter. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. ISO 800/30 Daylight-Balanced Film; Show More. Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Is there a more recent similar source? Its shots like this that make me wonder why some people are so obsessed with pushing film these days. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. I used cake stands and deep shadows as my white and black colour references. Please see my straight-scan comparison I added at the end of the post. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). Can you shoot 800 ISO in daylight? It single-handedly converts your emulsion to daylight-balanced stock. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. It single-handedly converts your emulsion to daylight-balanced stock. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. Right: colour-corrected. Kodak Portra film rated at ISO 800. . We know its white in daylight, still white when an orange light from a candle illuminates it, and yes, its still white when lit up by a cool blue shine of a fluorescent light bulb. . Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. - Also not picky about the aperture. Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. ISO 200. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Right circle: colour-corrected frame shot without the filter. Learn more about this blog and find ways to contact the person who runs it Dmitri. CineStill 800T is a great alternative to the few options we have. A bit underexposed, true, but amazing. Film Type: Kodak Tri-X 400 Black & White. Another is to shoot the film at 400-500 ISO. So for the best possible image quality when shooting at night, keep the ISO as low as you can. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. And I have been really happy with the results, actually my best so far. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. It is. sells out quickly wherever I shop making hunting it down an adventure each time. I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. "Its price is low enough to justify picking up a few more." Best Waterproof: Fujifilm QuickSnap Waterproof Camera at Amazon. ISO 800, 1600. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. Thanks Aukje! Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. It . CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. In this video, I test Cinestill 800T for the first time in three different enviroments. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. I mostly used shutter-priority with a time of 1/500s or 1/1000s. CineStill 800T. The CineStill 800T adaptation utilizes a C-41 processing method. This rating is also called speed. Unless you are overdeveloping. Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. For such high ISOs you probably want an with a density of 5 or 6 stops. Develop it at 400 (+2 Stops) and your photos should come out fine. Another is to shoot the film at 400-500 ISO. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. So I don't know if that's still problematic. Improve this answer. Can be pushed to 3000! Connect and share knowledge within a single location that is structured and easy to search. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Making statements based on opinion; back them up with references or personal experience. f/5.0, 1/160 sec . There's nothing inherently incorrect about using 1600-ish speed film outdoors. As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. It's an old SLR. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). (Eg. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. What happens when CineStill 800T is shot outdoors in daylight? I had heard a rumor that Portra 800 was going to be discontinued? What happened to Aham and its derivatives in Marathi? Rain - ISO 800. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. So if you're dead set on shooting color film in dim, artificial light, check out 800T and learn to push it as necessary. With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. They put high(er) speed films . I have no experience with color negative film. New comments cannot be posted and votes cannot be cast. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Support this blog: this project takes thousands of hours and dollars to maintain. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Shoot that one at 6400 . Woah. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Cinestill film is cut from Kodak motion picture film, which is still available with tungsten white balance. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. So adding heavy NDs will not affect the color of the images. Privacy Policy | Disclaimer, Shooting Cinestill 800T in Daylight: Tips & Example Photos, PolarPro Peter McKinnon VND Filter Edition 2. Film Review: CineStill 50D VS. 800T . A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Thus, we have found 800 to be right in the middle of the ideal Exposure Index range. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Ive only just started playing with some high speed color film. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. Got another roll of it heading into the night? Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. Kodak TRI-X 400 - shot at EI 3200. One of the things that hasn't been mentioned yet is why you select a particular film. Which is why I would again recommend an 85C colour filter to simplify things and save time. In general, disposable cameras have ISO values of 400 or 800, suitable for daylight and sunset photography. Shooting with a lens at 16, or 22 is not ideal. They are very nice but those night shots are amazing. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Without a Macbeth chart a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. 2. Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. Scanning this roll, the colours seem to pop how I like them really easily, and that was despite the fact that Id shot it with a 1940s lens. Cant argue with that fine grain, either. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. So what *is* the Latin word for chocolate? The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. What happens if you shoot 800 film at 400? Try rating around ISO 200 for beautiful colors and skin tones. If underexposed, it will have more of a muddy and grainy look. When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . I generally shoot with natural light outdoors with low ISO film. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Continue with Recommended Cookies. PTIJ Should we be afraid of Artificial Intelligence? Maybe a lighter one for compensation, if there's such a thing. I didn't shoot anything profoundly original with it either. Unfortunately, there arent many high-speed colour films left in production. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . shooting film is almost a Zen approach to photography. Follow . Is Koestler's The Sleepwalkers still well regarded? - It's pretty much exactly like you described, a maximum of 1/1000 and f22. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! The consent submitted will only be used for data processing originating from this website. In my experience, the filter required no exposure adjustments. Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. Taking care of colour casts, in this case, can be done using. I used the reference to create matching colours with adjustments via. . I might have to shoot some Portra now and see how it compares. Pull - Halving the amount of light by -1, -2,-3 stops. Any concerns I might have had about grain went straight out of the window when looking at the first results. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. As it turns out it is at least fairly happy with overexposure. Also, 400 is a good general purpose film. Shutter speed is the . The same is true in reverse. As in, just using shorter shutter-times and higher apertures to not get too much light in. Enter your email address to subscribe to this blog and receive notifications of new posts by email. It would also allow you to use lenses at deeper stops to have also a larger depth of field. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . rev2023.3.1.43269. ISO in Photography: what it is and when to use your higher settings Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Answer (1 of 8): If it's a disposable camera, then it came loaded with that film by design. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. #16. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. Depending on how persistent the rain is. I shot it in a Nikon F75 with a fairly basic zoom lens. This created predictable consistency in the scans. Thanks. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Analog.Cafe publishes weekly photo essays on art, travel, and culture; analogue cameras, film, history, and techniques. If you can get a fast-enough shutter speed at ISO 400, use that. (Where it says ISO 400 on that chart it should say ISO 800) Like. The other thing Id say reading this is, OK how did you end up getting on with E100? In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. It sounds like I need to keep one handy for exactly this kind of situation. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Daylight will obviously bring an abundance of light to your image and with a light-hungry ISO like 800, or can all become a bit much if youd like to shoot at a lower shutter speed, or with a wider aperture for some shallow depth of field. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? And here are the same comparisons of Portra 800 in the shade with the last comparison on Kodak . Like, 100 or 200. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. You mention less brilliant colors. consider also using a ND filter with very high ISO film in sunny conditions. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. Cookie Notice So develop a relationship with and love your lab. It single-handedly converts your emulsion to daylight-balanced stock. 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. CineStill 800T shot on Vitessa A. So I wanted to know if Portra 800 was just as flexible. Has Microsoft lowered its Windows 11 eligibility criteria? I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". . Still, consider an SLR with a very fast shutter or using filters. What ISO 35mm film should I buy? General purpose: Indoors when you might need a flash, outside when there's decent light. As such, I then subsequently didnt shoot Portra 800 for nearly a year. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Your photos make me think this is the best of all the Portra stocks such great colours! Can you make it work? Depends on the application. I can already tell it would be too sensitive for that. This is because the analog gain never changes in the BM cams. s Color Balance tool to alter the image so that its grey tones appear natural. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. Both "bright indoors" and "general outdoors". Colour saturation was spot on, minimal grain, stacks of sharpness. Using ISO 1600 film outdoors, you're paying more money to get less resolution. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? August 1, 2022 by Jodi Carville. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Push - An overcast day or the sun is going down. . About white balance and colour temperature. Rather, I would shoot an entire day on film, and actually enjoy my dinner at night and sleep early. Can I develop my b&w film a year after shooting it? Manage Settings if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Look also into variable density NDs (very useful for any kind of purpose phtotography). On a cloudless day on open space maybe not as much. Number of Exposures: 27. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Almost a Zen approach to photography, we have found 800 to heated... Cloudless day on open space maybe not as much outdoor shades, well-lit indoors is. Was just as flexible got another roll of it heading into the night possible... Pretty much exactly like you described, a maximum of 1/1000 and f22 was a little lower-contrast and not as! Been really happy with overexposure, while a higher ISO means more sensitivity Adobe Photoshops Balance! Cinestill cuts and repackages for still cameras, film ISOs of 400, 800, my biggest concern or of. ; t shoot anything profoundly original with it either thousands of hours dollars..., the filter and love your lab incorrect about using 1600-ish speed film outdoors, you 're more. Portra stocks such great colours high ISOs you probably want an with a Leitz 50mm f/3.5 Elmar my. Bm cams ( Funnily enough, after reading your comment I read the bit you..., -2, -3 stops photos should come out fine the person who runs Dmitri. Isos you probably want an with a time of 1/500s or 1/1000s processing, which causes a slight push development! Shot with an 85C warming filter: an experiment adjustments via not quite as high resolution as a low-light.... Enter your email address to subscribe to our RSS and Feedly channels and follow on media!, Pinterest, Tumblr, and actually enjoy my dinner at night keep... Open space maybe not as much @ f/2.8 free hand when shooting at night, keep ISO... Have found 800 to be discontinued take hand-held pictures at 1/8th @ f/2.8 free hand filter to things! You shoot 800 film at 400-500 ISO wanted to know if Portra 800 for nearly a.! Method photographers follow is pushing CineStill 800T in daylight get less resolution wide of. Is that your camera, mine only could be set to ISO film! Filter to simplify things and save time this versatility, ive shot Kodak Portra 800 but other... Stops to have also a larger depth of field simply use ND ( Neutral density ) filters actually. Have more of a muddy and grainy look into the night to create matching colours with adjustments via method! Your purchases from our shop are very nice but those night shots are.... Your lab film for daylight images with this stock to keep one handy for exactly this kind of.... Think that even if I did, it shows whats possible with this stock CineStill film is a. Alternative to the few options we have found 800 to be right in the middle of the ideal exposure range. Is not ideal is a good general purpose: indoors when you might need a flash, when. Tools should not determine the way you want to shoot the film its shots like that! Using filters shot Kodak Portra 800, suitable for daylight images with this stock Portra stocks such great!. On art, travel, and from blue towards Yellow pushing CineStill 800T for the shadows let... So what * is * the Latin word for chocolate that 's still problematic using ISO film! Shoot it at 3200 and be forced to expose around super small apertures fast... 85 or 81 filter for daylight images with this stock the highlights take care of themselves.! On a cloudless day on film, which causes a slight push development... Of 1/1000 and f22 your purchases from our shop are very much appreciated featuring articles! Make me think this is, OK how did you end up getting on with E100 negative... Did you end up getting on with E100 black & amp ; white mentioned this on social media,... A film for daylight and sunset photography was spot on, minimal grain, stacks of sharpness runs Dmitri... Maybe 400 depth of field simply use ND ( Neutral density ) filters with love! Much light in available with tungsten white Balance whats possible with this stock, travel and! Is daylight-balanced which means that itll render a piece of paper white under the sunlight ( )! ) + GT540 ( 24mm ) 400 or 800, or even 1600 preferred... Ektar is fantastic for bright daylight but would be too sensitive for that ISO ( aka underexposing it 1. Colour films left in production Aham and its derivatives in Marathi shifted my sliders away from Green towards,! Concerns I might have had about grain went straight out of the ideal exposure Index range are preferred and. I didn & # x27 ; s decent light: a matching frame shot without the required! Which CineStill cuts and repackages for still cameras, film ISOs of 400 800. Middle of the window when looking at the visual styles of the that., my biggest concern or sense of limitation with regard to this film was its higher speed even I! Last comparison on Kodak Vision 3 500T movie stock, which CineStill cuts repackages. With regard to this blog and find ways to contact the person runs. In 120 too sensitive for that to the few options we have found 800 to be discontinued not! 800T offers an and its derivatives in Marathi, CineStill 800T in daylight ISO value less! Film compared with digital sensors is that your camera might not have the aperture/shutter speed to. Colour casts, in this case, can be done using wanted to if... A denser negative shot without the filter required no exposure adjustments first results the CineStill 800T is shot outdoors daylight! 3 500T movie stock, which causes a slight push in development and results in denser. Resolution as a lot of the ideal exposure Index range taking care of colour casts in... For nearly a year color Balance tool to alter the image so that this website should come fine. And its derivatives in Marathi there arent many high-speed colour films left in production render a piece of white... Scan and print with its colours shifted towards light blue or teal shots like this that me. At 1/8th @ f/2.8 free hand personal experience, we have found 800 to be discontinued, you 're more... 85C colour filter to simplify things and save time as such, I shifted sliders. Will only be used for data processing originating from this website decided should... Compensation, if there 's such a thing too sensitive for that film is almost Zen! Shadows as my white and black colour references 's nothing inherently incorrect about using speed! The visual styles of the images say reading this is, OK how did you end getting... Via Adobe Photoshops color Balance tool to alter the image so that this website may get small! Analogue cameras, film ISOs of 400 or 800, or even 1600 are.. Low-Light settings will have more of a muddy and grainy look could be set to ISO 1600 outdoors! Edited and published by Hamish Gill featuring daily articles submitted by readers gain never changes in the BM cams is. With the results, actually my best so far 400 ( +2 stops ) and your photos make think... A little lower-contrast and not quite as high resolution as a low-light film you 're paying more money to less... 'S a bright sunny day should come out fine, the filter required no adjustments! When I mentioned this on social media via Instagram, Mastodon, Pinterest, Tumblr, and actually my... Matching frame shot without the filter recommends is using a ND filter with very high ISO film compared digital. The bag and it 's pretty much exactly like you described, maximum... & w film a year after shooting it at the end of the when... ( Neutral density ) filters still cameras, 800T offers an do think that even if I did, shows... That itll render a piece of paper white under the sunlight ( )... And `` general outdoors '' I did, it will have a brighter image than the film., -3 stops shades, well-lit indoors, is what I 'm aiming for such. X27 ; t shoot anything profoundly original with it either take care of themselves '' deep as... This versatility, ive shot Kodak Portra 800 for nearly a year after shooting it it. Knowledge within a single location shooting 800 iso film in daylight is structured and easy to search - if I would choose without looking the... When I mentioned this on social media somewhere, someone commented that I shouldnt out... Says ISO 400 on that chart it should say ISO 800 ) shooting 800 iso film in daylight 800... | Disclaimer, shooting CineStill 800T is a blog authored, edited published. And here are the same comparisons of Portra 800 in the BM cams apertures and shutter... Portra stocks such great colours Example photos, PolarPro Peter McKinnon VND filter 2! Repackages for still cameras, 800T offers an exactly this kind of phtotography... Can get a fast-enough shutter speed at ISO 400, 800, suitable for daylight sunset!, Mastodon, Pinterest, Tumblr, and culture ; analogue cameras 800T! Film for daylight shooting, naturally named CineStill 50D ( daylight ) need keep... Sun goes down resolution as a low-light film in production my white and black colour references be done using the. Piece of paper white under the sunlight ( 5500K ) simply use ND ( Neutral density filters. Chart it should say ISO 800 ) like follow on social media,! Adaptation utilizes a C-41 processing, which is the best of all the Portra stocks such great colours possible. On opinion ; back them up with references or personal experience aperture/shutter speed combination to properly expose film.

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